StreetcredMusic: Piano Styles, Lola Astanova

Piano Styles: Lola Astanova

 Lola Astanova’s name may be new to you, but it is very familiar to her countless fans around the world, many of them of an age and demographic that classical music has spent decades trying to reach. With a direct pianistic lineage back to Liszt and a distinct visual flair, the dazzling young pianist has perfected a riveting, deeply emotional style that hearkens back to the old masters.

VIDEO, Lola: Carol of the Bells (The Enchanted Carol)

Lola Astanova

  Link to other Piano Styles:: More Pianowomen Styles


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StreetcredMusic: Piano Styles, Champian Fulton

Piano Styles

 “What has keys but can’t listen to the beauty it unlocks? A piano.”

Champian Fulton:
  Born in Oklahoma, Champian is considered one of the most gifted pure Jazz musicians of her generation. She grew up with music in the home; her mother and father (Jazz trumpeter and educator Stephen Fulton) recognized her fascination with music at an early age. The presence of her father’s musician friends, including Clark Terry and Major Holley, inspired her focus on Jazz. Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old.

 VIDEO: Champian, Jazz Showcase, Chicago

VIDEO: Champian, Winter's Jazz Club

Champian Fulton, Web Site

Champian Fulton, get music

Here are more articles from PIANO STYLES

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StreetcredMusic: Piano Styles, Licia Missori

Piano Styles

 “Life is like a piano. What you get out of it depends on how you play it.”

 “These fingers of mine, they got brains in ’em. You don’t tell them what to do – they do it.”

Some memorable quotes from musicians. Let me show you some of the people I know, and their unique styles.

 “The important thing is to feel your music, really feel it and believe it.”

 Licia Missori, Pianist and composer from Rome, Italy, she began to play and compose at the age of three or four. During the last 15 years she has been conducting concerts both as a soloist and in collaboration with other artists, accumulating hundreds of concerts in Italy and abroad.
 She works at freelance music transcription and teacher of music theory, solfeggio and piano.

Enjoy this video: Licia Missori "Sweet But Psycho"

Pianist Licia Missori

Licia Missori, Rome

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StreetcredMusic: #MeToo, Power, Let's Talk About It. By Tessa Lena

 A long awaited piece from one of my favorite thought processors.
Tessa Lena

Her always insightful commentary is refreshing, in this time of IA,
overreaction, surveillance and political correctness.

Someone who is interested, (for real) about bringing people together
as people not bots...Tessa is a breath of fresh air in today's shit storm of rhetoric.

Enjoy, this atricle~~
 HERE:   #MeToo~Power~R.Kelly (Full Article) 

        Originally published by: Fair Observer

© Kraft74 / Shutterstock

Tessa Fights Robots

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StreetcredMusic: A Catch Up Video with Erin Pellnat aka Erroneous

 Please enjoy this wonderful, vibrant artist. 
      Erroneous

This is a video we did in New York City, this winter. 
I just wanted to find out what some of my favorite women artist have been up to.

We are like a family that does not see each other often enough.
Please enjoy and get to know Erin, she will brighten your day,
as she does mine.

 This video as all the videos I shoot, have no script, no rehearsal, no retakes, 
      what we shoot is what you get.

VIDEO: After The Music

Erin Pellnat aka Erroneous

 

StreetcredMusic: Rita Castor on Patreon, An Op/Ed

Open Letter To: Musicians
    Re: Patreon

I ran the indiemusician route for several years. Now I'm established in the music biz as a teacher. No, not teaching music or voice, teaching how to run a music business. A business of one or a full band, you must create an income from your product. Business #101.

I want to talk about Patreon. I myself have received several communications from musicians I know to join Patreon, and literally help support them financially.

I feel sad that they have asked me to do this. Sad because I know they are all being taken advantage of by venue owners who will not pay them for their gigs. Venue owners who are literally stealing from them, and profiting from their labors.

Of course the obvious solution is for all musicians to demand a payment for their gigs.
But egos won't allow them to put themselves in demand. That's a subject for a more serious time.

I am also a bit insulted that I'm being ask to give money, when they give their talent away, so venue owners can make hundreds if not thousands of dollars while they are on stage.

Summing up, what you are doing is asking your fans, who buy your music, come to see you, buy a drink or two, maybe some food, gas money, travel money, to also give you a monthly salary.
While the bar is full at anywhere from $10 to $14 dollars a drink, and they give you nothing.
Have you considered how it feels to get a request like that?

                                                                                     Rita Castor.

Streetcred, Women in Music.

Welcome to a totally nonprofit blog: Featuring powerful, independent women
in music and art. #Badasswomen ENJOY!

StreetcredMusic: Violence Against Women...Alessia Ramusino "Yallah"

I have received many OpEds over the years from women of power. By power I mean women who have spoken out, and live the life they speak about. All have discovered the many injustices women encounter, and want to expose them, and give a voice to those people who may not have the platform they have. This one comes from Alessia Ramusino.

"Yallah"

   This song is the hymn to the to the struggle for the Elimination of Violence Against Women

VIDEO: Yallah: Anthem of the movement

#RESPECTANDLOVE

Yallah is a hymn to love, love for life, an immensely great and precious gift for every single living creature. No one has power over the lives of others and everyone must be able to enjoy rights that must be guaranteed. Respect for life in all its aspects, religious freedom, the possibility of educating oneself and acquiring a solid culture, work, the right physical and material well-being are today indisputable rights and their respect and their promotion measure the degree of civilization that a society has achieved.

I studied and graduated in Science and Politics at the University of Genoa choosing the Socio-political address precisely because I always felt a strong motivation towards social issues.

I chose a word deliberately in Arabic and the song has the text in English, to enunciate a theme that involves all peoples in a transversal way to geographical, geopolitical, demographic, religious, cultural and social class factors.

Yallah is an Arabic word of common use which means "strength, strength, move". And this is precisely the message that we want to give, or a warning for all to take not only conscience of this social scourge but above all to set in motion and in place, each according to their possibilities, all the measures to defeat the phenomenon.

The Yallah project was born from the presentation of the flashmob connected to the song, in several sites and stages, first visible in the video clip >>> https://youtu.be/FcCVJA17yVw

100 women who all together repeat RESPECT AND LOVE in a universal march for the Elimination of Violence Against Women. A clear message with an international aim, a very touching moment with a very strong emotional impact.

Thus was born the vision of the artist, Alessia Ramusino, of a flashmob that would unite women not only in intent but also in appearance, dressing all in red, a color that has many symbolism's from love, blood, luck, passion: #100womendressedinred

The intent is to spread THE CULTURE OF RESPECT. 

Alessia Ramusino

“Yallah is undoubtedly a very important song for me because it represents the commitment of an artist in facing a social plague with her own soul, questioning herself and exposing herself in first person. This is why I created a path, which began on 8 March, the day when women come together to defend their civil rights to arrive on 25 November, a date designated by the United Nations General Assembly as the ‘International Day for the Elimination of Violence Against Women’, calling on governments, international organizations and NGOs to organize activities aimed at raising public awareness.

Many institutions, associations, organizations, anti-violence centers, which in recent years have supported and shared the project.”

The Yallah project has a beneficial purpose. Alessia Ramusino

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