Saturday

Abby Ahmad, "Curriculum"

I recently came across a very talented young songstress named Abby Ahmad,
her CD is "Curriculum".
Abby Ahmad, CD "Curriculum"
...First things first, this is a beautifully packaged CD, one of the best I've seen. A great cover shot, complete lyrics, and the insert contains even more wonderful photos of Miss Ahmad in various New York City locations, and one of her as a child. The photos were the work of Erica Simone.

Reading through Abby's facebook, I see her #1 influence is Dylan. I go further, Dylan tweeted me a few months ago when I did a feature for his 70th birthday, it said "we are on the same page Bro"...well Abby has jumped on the same page as Mr. Dylan, and I've never said that of anyone before.

I'll stick my neck out here and say Abby's tune, "Landing Gear" is as good as any protest song, or political critique or as prolific a statement that has ever been put to music!
Written in 2005, it fits in my top three with Dylan's "The Times They Are a-changin" and Barry Mcguire's
"Eve of Destruction".

This composition could very well be the theme of the "Occupy Wall Street, 1%" protesters. It tells of all the division in our Nation today.

"Everyone's now at attention, since a nation's been derailed...Divided we stand, United we failed"

"So I brace myself for the breakdown, With wings barely intact, Desperately decoding candor,
Weeding out the fiction from the fact"

This is how Abby wrote "Landing Gear"...
Abby... "Landing Gear was written in 2005 in the aftermath of Hurricane Katrina. I had just moved to NYC a week before and was exploring parallels between our uncertainty as a nation at the time and my uncertainty being a NEW New Yorker seeking my individual and musical identity. It was a scarily transitional time both personally and politically."

                                                                    ******  

It took me a couple of days to listen to the rest of the CD, I was captivated by "Landing Gear".
Not only the lyrics but the crescendo of the melodic line that makes you "feel" the impending turmoil, of which Abby speaks. What a great commentary this tune is.

"Habit" is a cut that speaks of the "habits" of passion we can sometimes fall into.
"I want you when I'm hungry, but I crave you when I'm full"...
"You're two chocolate bars and a cigarette away from being lethal"

"Lost On Me"...Abby slows it to a ballad, but the lyrics are just as powerful...
"I cannot stand here, Awaiting the day...That your actions match the words you say"

Ten original tunes on the CD, all are wonderfully done.
....take away the melodies that match each composition, and Abby's powerful voice that leads you to the meaning of the lyrical content, and you have what you have with Dylan tunes...insightful social commentary, and prolific prose!

                                                                 **********

I asked Abby the two questions I ask everyone when I write about them...

1. If you were leaving the planet and could only take one album with you which would you take?
Abby... What an excruciating scenario! My tastes are so eclectic, the thought of narrowing it down to 1 album seems impossible. I suppose it would come down to a standoff between Nina Simone's "The Blues" and Led Zeppelin "III". Both have had significant longevity/relevance in my life and musicianship. Patty Griffin's "Living With Ghosts" would be up there too...

2. If you could perform with anyone who would you choose?
Abby... If I could perform with anyone currently alive, I think I'd choose Thom Yorke. His magnetism and presence are inimitable. Deceased: John Lennon or Howlin' Wolf.

               .......Welcome to New York, Abby!!

http://www.abbyahmad.net/

....you can catch Abby at:  
River Street Cafe, Wilkes/Barre Pa.  Oct 28th, 8 PM
Rockwood Music Hall, NYC, Nov 9th, 11:30 PM

get the CD...http://abbyahmad.bandcamp.com/ 

by Pete Carma, follow Pete....www.twitter.com/petecarma

Friday

Solitaire Miles at The Jazz Showcase

Wednesday night Chicago's Solitaire Miles took the stage at The Jazz Showcase, to deliver her new CD..."Melancholy Lullaby"....
It was JAZZZZ, no holds barred, pure and passionate.

...It was one of those show I dread, a nightmare for me...
You know, when the show is sooooo good you can't take you eyes and ears off the stage, so you can't take notes, and then when you sit down to write about it, you wonder how you will tell the readers just how terrific this show was!
Solitaire Miles, CD "Melancholy Lullaby"



It was a CD release show for Solitaire's new CD "Melancholy Lullaby".
...the room was packed...

The best way to explain is  E=mc2..
That's right, I remember from my school days hearing Albert Einstein
explaining his theory...The Universe is like a speeding train moving at the speed of light...if humans could travel as fast they could jump on or off the train at different points in the history of our Universe.

Wednesday night Solitaire Miles was the engineer of that train.Taking us from the 1930's to the twenty first century, with a few stops in between, and a brief stop over in Brazil.

Surrounded by a sextet for set one that grew to an octet set two, Solitaire presented a wonderfully diverse cross section of the American Song book.

Starting with her opening number "Exactly Like You" set one, I knew I was in for something special. "The Night Wind" another gem from the 40's was done in set one to a wonderful chart, that would have made lyricist Eugene Field stand and applaud.

Solitaire's "style" if you can call it that, I kinda think she is actually living the songs she sings...and singing them with a passion for jazz, and...the history attached to each and every number...is one that literally takes you on and off that "train" that covers jazz history.

Song after song, taking tunes from the 30's and 40's and treating them to a "massage," with love and respect.
..."Two Close For Comfort" ...was swung with a wonderful up beat rhythm, not to fast as most do, but this wonderful group of musicians hit it dead center!
..."Tenderly"...this evergreen was a showcase for Solitaire's range...and again a perfectly done chart!

...if that was not enough, Solitaire and the band took Duke Ellington's "Nothin But The Blues"
right down to where it should be, and stomped on it! (this was the show stopper for me).

...the show closed with "Bye Bye Blackbird"...swingin' and jumpin'... 

...the band? I would need two more columns to tell you how great they were ( I may do just that).
Riff after riff, solo after solo, they were showered with exuberant applause from the crowd. 

Drums.. Mike Raynor, Piano..Dave Gordon, Bass..Marlene Rosenberg, Sax/flute, Jim Gailloreto, Trumpet/flugelhorn..Art Davis, Guitar..Neal Alger, Bongos..Heitor Garcia...also guitar and vocals, Paulinho Garcia. A joy to listen to all of them!

"in my 67 years I have seen ALL the jazz greats, this show was as entertaining as any of them".

The CD contains these and a few other renditions of  more jazzzz classics.

have a listen here; http://www.solitairemiles.com/
get the CD here; http://www.cdbaby.com/cd/solitairemiles2

The delightful, "Solitaire"

"the venue"  it was my first visit to The Jazz Showcase. Best venue I've been to here in Chitown so far...
every seat has a great view of the stage, even the bar, and the sound was as good as it gets...
we had wonderful service from Jennifer, or hostess, get out to the "Showcase" you will love it!

http://www.jazzshowcase.com/

by Pete Carma   ...follow Pete..www.twitter.com/petecarma













Tuesday

"Artists In New York" Part VIII... Kalen.

 I have been listening to music for a long time, when I heard Kalen's hit single "Rabid Girl"
it became one of my all time favorites. It "is" New York City. She paints a picture I have seen so many times in Da Apple with her words, and a melody with a rhythm of the Metropolis.


http://kalenmusic.com/

Kalen is about to start her fall "gigs", after a summer of work and fun!
.....here is a bit about her and her music as a New Yorker, and life in the city.

Q; Your lyrics, especially your great hit "Rabid Girl" ooze great words of New York City, how much does the city and it's adrenalin influence you and your work?

Kalen...I’m very influenced by environment. NYC is an overwhelming place, rich with poetry and profanity, at once exhilarating and exhausting. I am a country girl at heart and find that I continually return to themes of sea and sky. I long for the natural world when I am in the city because of the contrast with the cacophony of the urban center. Being in NY day in and day out, though, I am consistently driven to try to capture and comment on the experience. I feel a connection with the thousands of artists in the city and those artists who have come before and who have tried to capture the shifting, ephemeral essence of NYC. “Rabid Girl” is a piece about a young lady who is an extreme product of her environment. She reflects the city that has shaped her as well as being a player within its scenery, perpetuating its madness. Painting a picture of place was essential to capture the essence of the song. 

Q; You are from New Hampshire, a graduate of Penn, but I know from experience living in Brooklyn is an education in itself. What were the things about living there that surprised you the most?

Kalen...Observing how quickly things can change and shift in NYC and Brooklyn has been fascinating. People and place really can reinvent themselves here. There is an incredible regenerative life force coursing through the city at all times. There is a dark side to this opportunism, however. If one is not careful, he’ll get swept up in others’ talk and veer off course from one’s own dream and integrity, talking the thieves’ talk and walking a wayward walk. The constant metamorphosis of place and peers can catalyze an unconscious personal distortion, which I’ve seen in many and caught in myself, but is also an opportunity for personal and creative innovation and refinement.

Q; Looking at your music FB "favorites" I didn't see any classic artists, are there any you admire or who had an influence on your work?

Growing up in the country, I had a different relationship with music than
 many of my New York peers. So many of my friends were savvy about the music they loved from a young age and were avid listeners and collectors. That’s closer to how I was with fine arts. Improvising on the piano with little vocal melodies was an organic expression of what I was feeling and thinking about. I wasn’t trying to emulate or appropriate in any conscious way as a young girl when I first fell in love with music. I would, however, listen to my mother’s Motown and classic rock along with jazz piano albums my piano teacher recommended to me. Jimi Hendrix, Janis Joplin, Bill Evans, Dina Ross and The Supremes were favorites. Through later chapters of my life, as I got more seriously into collecting music, I began to add funk, trip hop and Afro-Cuban music in my regular rotation.

Aside from music and other music artists, however, traveling, nature, books and fine artists influence me most. My family lives on the ocean in Maine and I’m inspired by the sea, though I love being outdoors in general. Traveling and seeing new things (which happens in New York City constantly) is another never-ending source of inspiration and experience outside of myself. Italo Calvino’s wacky book, If On A Winter’s Night A Traveler and James Baldwin’s short story, Sonny’s Blues are two of my favorite books. On the art front, I absolutely love Austrian and Germany Expressionist painting.

Q; What's next for Kalen? New releases, gigs, anything we should know about?

Kalen...Presently, I am building a band around my solo work, creating a live experience that moves beyond the singer/songwriter sets I have been doing this last year, returning to a bit more of the performance zaniness from which I temporarily retired with my last project, Ladybug Stingray. I am recording my next EP, "Fallen From The Sun" that will include the spoken word single, “Rabid Girl”. I am also collaborating with some great young producers and songwriters around NYC, some on live shows, others in the studio.

Q; The next time you walk past a coffee shoppe will you get a black&white cookie and take a big bite and think of me?

Kalen...Happily. Though, I must share that my favorite New York cookie is the chocolate chip cookie that hails from the heavenly City Bakery.
                                                  **********
Kalen is one of those people who make me smile, if I hear her music or see her, I just smile.

Kalen will be at;  Caffe Vivaldi, NYC, Sept 28th, 7 PM...
                              Parkside Lounge, NYC, Oct 13th 8 PM

                                                                  
 

Monday

Nadia Ackerman..."Mary Jane" & "Ebony Road"



From the versatile musical talents of Nadia Ackerman, some amazing new work!
 ...the sound track to a new film with an exciting new director "Ebony Road"
 ...and the first single and video, from her new album "The Ocean Master" ..."Mary Jane"
 ...will be available on Sept.11th from,  ITUNES ....

see the details here...and a link to her site...  http://nadiaackerman.fanbridge.com/campaigns/show.php?id=769030&sid=161812196 

The first singWORL09/11/11


The first single and music video from "The Ocean WORLDWIDE 09/11/11

Thursday

Gio Moretti, Artists in New York Part VII

Gio Moretti, photo by Monica Castiglioni
Gio Moretti, "life" is her inspiration. And it is the driving force in her beautiful music!

Gio's wonderful CD, "Animacustica" was my first connection with her. An inspiring work that I enjoyed very much...
here is that review...http://streetcredmusic.blogspot.com/2011/05/animacustica-soul-of-gio-moretti.html

From Bergamo, Italy and now an American citizen, Gio has made New York City her home. Here are her thoughts of life in the Big Apple.

Gio speaks many languages including Bergamasque and her accent is charming, so I left the dialogue exactly as she told it to me...enjoy!


Q; Talk about New York City and how coming here has changed your life?

Gio...New York City...where the dreams may come true. Just say it, I guess I was bored, needed inspirations, motivations, fresh air...but now I feel that I pay every single day, this air...not so fresh anymore.
I love NYC but it's a tough place to be, make a living, raise a child, try to be successful...I don't know...after 11 years I'm still try to figure out why I want to leave NYC..
I guess I'm still waiting for "That Day" happens.

Q; You just became a citizen, how does it feel?
Gio...Finally done with the immigration! No more questions, no more lies...and I can hear a voice..."Welcome back to the United States".And I can finally vote...Obama, oops, can I say that???

Q; How do audiences respond to you here in NYC?
Gio...I got inspired from my audiences, they always warm and curious, doesn't matter what language I sing
I feel connected to them, that probably why I love to give everything I have or that I can give that night.

Q; Any experiences you have that are unique to NYC, that you want to share with us?
Gio...Oh my God! so many...1. From running away in the middle of the night from a room I was renting in the public houses in Harlem...I was on the 18th or 19th floor, with all my stuff, including an entire sound system
and the elevator stopped working...I had to use the fire escape stairs!
 2. Singing an entire solo of "Take Five" for Al Jarreau. And 3...I fall in love (unfortunately or fortunately we are not together anymore)

Q; Your wonderful son, and how NYC effects his life?
Gio...I think NYC it's a place where he can get lots of opportunities, he is still so young...he already know what he really like to do, play drums and be a musician! I like the effect that he has a chance to live in a Cosmopolitan City that embraces different races, style of music, different foods, and girls...(maybe this for his future).

Q; Anything in the future we should know about?
Gio...I don't think at the future, I can't. Tomorrow is the far future that I can think about it!
Today is a new day, let's focus on today in this moment, everything can possible change, how can you make plans?

Q; You are a very inspired artist, where does it all come from?
Gio...LIFE! I love my life, I like to take chances, take risks, try new things. I see a lot of colors in my life, and everything around me keeps inspire me. LOVE! I like to write about LOVE, because I LOVE!!! And I will always LOVE!  I don't trust as much as I use to, I got some deep scars, but now I see myself in a new chapter of my life, so I am very optimist and sure, I am always open to learn something new, or looking for something new.

Gio thank you for you candor and I will see you in NYC soon!,

Gio will be at...our benefit https://www.facebook.com/pages/Singin-4R-Sisters/159143457484041?sk=wall

Gio's music..Enjoy:: This video:

Gio's page:: AnimAcusticA
 

follow me::  Pete Carma

Monday

Sarah Manning's, "Dandelion Clock"

Sarah Manning, a new and very exciting artist on the jazz scene. She's bold and inventive, and she will give you a "Master Class" with this new album, "Dandelion Clock"


I started this blog to promote young artists of the 21st Century who are "keeping the music alive".
I just hit the jackpot again!! Sarah Manning is a young lady who has the poise and skill of a seasoned jazz vet.
She is as dedicated and as involved in the genre as anyone. She respects it and delivers with an intelligent take
and a great album loaded with her original charts.

Dandelion Clock is the work; and it is a good one.

"The Peacocks" a cut that Sarah controls from start to finish. She makes the Sax talk, if the instrument truly were vocalizing, it would be a Carmen Mcrae like mellow but sassy, top to bottom phrasing, with clarity
and precession. A terrific piano riff comes through in the middle of the tune. A very nice chart.

"Phoenix Song" with breathless riffs and an intelligent melodic line, I really had to pay attention on this wonderful tune, there is lots going on.  For me this tune was reminiscent of the progressive sounds of decades ago, with a brand new spin. Sarah seems to be exploring and creating something new, with a refreshing confidence here. Pay attention on this one, if you are an old fogy of jazz, like me, you will love it.

"Windmills of Your Mind" the classic melody by Michel Legrand gets a workout by Sarah on this album too. She takes the classic tune for a ride into the Stratosphere, circles the Earth and returns it just as Legrand wrote it  Both are picked up by the Mother Ship and all is well again.

"Dandelion Clock" the number of puffs it takes to blow away all the filamentos of a Dandelion will tell you the hour, you remember that from your childhood? The title tune will paint a picture of that for you, it's light at times and there are passages when you can just imagine the flower flowing and then wilting. This is another terrific piece. What a great new addition this album is to my Ipod!
.....can't wait to see her live soon, stay tuned!

Sarah Manning will be at;  Tanglewood Jazz Festival, Sept. 3d,  2011

purchase Dandelion Clock   http://www.amazon.com/Dandelion-Clock-Sarah-Manning/dp/B003ED8R7S/ref=sr_1_3?ie=UTF8&s=music&qid=1275321759&sr=1-3

Sarah's site; http://www.sarahmanningmusic.com/live/ 

by Pete Carma, follow Pete  www.twitter.com/petecarma

Saturday

Artists in New York, Part VI, Bekka Lindstrom

..."an actor, who makes her living as a graphic artists, even though she is a writer who sings"
Bekka Lindstrom

 That's how Bekka describes her life in New York City, on her Facebook. But let me tell you, it's not that easy to describe her talents. I have seen her act, sing, create videos, and her art, and all are excellent.

Her are some of Bekka's thoughts on all of that, and of course living in NYC, because that what this series is all about.

Q; Your FB says you are "an actor who makes her living as a graphic artists, even though she is a writer who sings" I love that because I know what you mean, ...can you explain it to my readers who may find it a bit confusing...and how living in NY allows all of that to happen?
Bekka... This is the sentence I came up with when faced with this blank on Facebook. And I wanted to keep it to one sentence.
I'm very focused on being an actor. Yet most of my life I've made my living as a graphic artist. However, I hate to discount the writing I've done. And then I remember, I'm so happy when I'm singing. And while you often don't make a dime at singing or writing or acting or the graphic arts – you have to practice them quite a bit to be good at any of them. You have to do them. Practice.
When I was a little kid I didn't care for practice. I didn't see the fun in it. Now that I'm older and time moves faster, I'm able to see the difference that practicing makes sooner. So, I stick with it.
I write every morning. I have clients that pay me to think about positive and negative space and move bits around (graphic design) -- nearly every day. I try to sing a little bit every afternoon. And the thing about singing is, it's better to get in singing shape and stay there than it is to fall in and out of it. To sing you have to be physically alive. Head clear. Throat open. Heart strong. Lungs fierce.
Willa Cather said somewhere, in order to write you have to be "fit enough to sing." And I agree with her. And since one state enables two activities; might as well practice both.
I also follow another guide, Joni Mitchell, who when asked about being both a painter and a composer pointed out the importance of crop rotation. I grew up in farmland. I know what she means. Being able to cross disciplines means you always come up with something. Sometimes corn. Sometimes beans.


Q; How long have you lived in NYC and do you think you could live anywhere else at this point in your life?
Bekka... I've lived 27 blessed years in Gotham and treasured each moment here. And the answer is no. No where but NYC. I was made for New York. And New York was made for me. We heart each other.
One of the infinite things I love about this town is the vibe on the street. You feel it the minute you land here. Like an electrical charge, and you have to adjust to the increase in input or you just can't sleep or walk or complete a thought. Once the adjustment to the incredible humm that is New York City is made, for some of us, it is a life force. That enables us to do incredible things.
Every place has a specific feeling. (Even if it's numbness.) Paris also has a feeling that I love. In my dreams, I could live in Paris. With no bounds, I would be living in Paris on cigarettes, wine and espresso. But it ain't so.
So I live in NYC on local organic vegetarian fare. Which is pretty heavenly. And I don't partake of tobacco, alcohol or caffeine. And English remains my second language. Images being my first.

The one, the only>Bekka


Q; I've seen you sing-beautifully, and act wonderfully, you also have degrees in Cinema at NYU, Designing, Religion, Art, Philosophy, and you enjoy gardening and carpentry... if you were kidnapped by aliens and taken to another planet where you could only do one of the above which would you choose? Or would you have to be a rebel and do more?
Bekka... I'd sing "If I Had A Hammer" as a prayer to not lose my mind while I designed an escape route using what I learned from "Grand Illusion," "Stalag 17," "Shawshank Redemption," and "Battlestar Galactica."

Q; You are married to another talented woman Donna Jean Fogel, so I must ask you your thoughts on the recent legislation passed by NY State, on same sex marriage.
Bekka... Mainly -- thank you for the question. That's the blessing in this. That gay rights are being put into the public eye and all is terrific. Every time it happens more people figure out it's okay if we're not all alike.
Weird part-- the personal part is, using the word "wife." For some of us women, that word is charged with some not so hot undertones. Some of us, never set out to be some body's "wife." It's been a word that often cut a person short of their full being. So it's been interesting taking that word back. Because it IS the most accurate and swift of all our choices. "Partner" is too confusing. "Spouse" is so check-the-box. "Wife" is understood immediately. Guys get "husband." The ladies get "wife." So we're going to take it and fill it out. Change it up. Rehab it. Like we do neighborhoods. When the breeders come back in, it'll be better than before.
One thing I have noticed lately, straight couple have a real disadvantage. For same-sex couples, there's a wonderful clarity that comes from not being able to blame stuff on gender difference. It seems to me a lot of stuff gets blamed on being different genders that really has to do with being different people. This assumption that men always... or women never... is very misleading.

Q; Are you part of any band or group that performs together regularly? And if you r I want to review them!
  Bekka...Working on that.

Q; Any future plans for the wonderful production of MoM A Rock Concert Musical...and is it as much fun doing it as it is to watch.
Bekka...Things are looking up for MoM. There's going to be a tour coming up. MoM's gonna hit the road! ... that's all I can say for now. Much more to follow.
And YES it is crazy FUN to do the MoM show. Being in a play is a blast. And being able to play music together with a bunch of people is really a special experience. To combine the two is just -- out of this world.
I feel incredibly fortunate.

                                                                      **********

...We could wrap this up right there, but you urged me to tell you about anything on my mind, so I wanted to tell you about this remarkable thing that's happened. It means telling a story. I hope you don't mind. Here goes.
I went to college in Iowa, because I grew up there. I'd pretty much finished my art major, and practicality not being one of my interests --I was backing that up with a major in philosophy & religion. One of the last classes I took was "Film Appreciation." It was the first time I ever saw a film made by a woman. It was an old black and white. "Meshes of the Afternoon" made in 1943 by Maya Deren. I was mesmerized. Only 14 minutes long.
You know that feeling like you've been dropped back into your seat when the lights go on after the film is over? Dazed, I looked around the room and noticed people in the class were staring at me. The professor said, "Yes, it's true, class. Bekka does look a lot like Maya Deren, doesn't she?"
(This was back before my hair went suddenly blond. ;^ ] )
I'd found my path! I wanted to know more about film. Films like Maya Deren made. So, after a brief 4 year stint of being employed in retail (!),-- I managed to get into New York University's Cinema Studies program and I moved to New York City. I got my master's in film studies.
My first film was a letter to Maya Deren. It began with me writing on a piece of paper, "Dear Maya, I thought this might be the best way to get in touch with you." Turns out it wasn't.
Then,- then the rent was due. Again. You know what I mean? I finished my degree and became a magazine art director. And then I did design work freelance. Fast forward many years and finally I decided I really want to pursue acting... (I know, I know. One practical idea after another. Can you imagine what it's like to be my parents? Bless them.)
Anyway -- I am a member of this tribe of Catskill lesbians. And most every year we (Linda, Pattie & Carol)celebrate the new year by starting this barn fire down by the Esopus River. It's customary for us to write our gratitude's and wishes on sticks and then throw them in the fire. We've manifested jobs, homes, mates for all sorts of people. And for ourselves. (We could scare the hell out of Michele Bachmann. I went to grade school in Waterloo, Iowa. We turned out very differently.)
New Year's Day, two years ago, I wrote on a stick my great gratitude for the luck I've had on stage. I've gotten to play pretty wonderful roles in the theater. Thank you very much. And I wrote that I would like to be in a film of real merit. And meaning. Threw it into the fire and went into the house to get warm.
My hosts, sweet friends from way way back, introduced me to a new comer --- Barbara Hammer. ! The first out lesbian filmmaker. I studied her work at NYU! I tell her, "I KNOW who you ARE!" We hit it off and chatter away -- I wind up telling her about the first time I saw "Meshes of the Afternoon" --- she says, "Yes, you do look like Maya Deren. Say -- I'm making a film about finding Maya Deren's sink. And we have permission to go film in the house where "Meshes" was made. Do you want to play Maya?"
I'm pretty sure the fire was still embers down by the river.

So, all that to say -- "Maya Deren's Sink" by Barbara Hammer got made and played at the IFC here in NYC for the last week.
No kidding. I had to share that. It's been a remarkable experience.
Yes, I would say I feel very fortunate.
 .....Thanks soooo much Bekka, for a great read!!!


by Pete Carma..  follow Pete  www.twitter.com/petecarma






Wednesday

Judy, Judy, Judy....at the Palace!

...three days before my ex wife's birthday, August 2d, 1967, I surprised her with tickets to see Judy Garland at the Palace Theater, in New York City.

It was the first time either of us had seen her in person.
We sat front row, the tickets were $5.50 each!

About ten minutes before show time, the Palace was full, and the crowd rose to their feet and started a standing ovation. I was wondering what I had missed? This continued for several minutes. Curtain closed, no music, I thought, did the Vietnam War end? What?

The curtain moved a bit and the roar from the crowd grew to a tornado like rumble.

Then I knew what it was all about. Judy Garland stepped partially out from behind the curtain in a robe and her hair was in a net, waving and telling everyone she will be "right back" to sing.

The show seemed more like a coronation, ovation after ovation, classic tune after classic tune, she never stopped for an hour. Then she brought out Liza, Lorna and Joey her kids and they joined in the singing and dancing. When the family segment was over Judy got back to electrifying the audience with the show stoppers, "Over the Rainbow", "The Man that Got Away", "The Trolley Song", "What Now My Love" and "Rock A Bye My Baby" to name some of the evergreens.

All throughout the performance men rushed the stage with gifts, flowers, cards and letters to a point where I though they would pull her off the stage, however she obliged them all and thanked them all....

Judy, exhausted and almost out of tunes, came a piece of the show I will never forget. She stood in the middle of the Palace Stage as the crowd roared again, she blew kisses and said, "what do you want now".

A male voice from the rear of the orchestra section shouted..."you don't have to do anything, just stand there"...and again a roar!

After several encores the show came to an end. Being in the front row we were the last to get out. As we approached the lobby and the street, Broadway, there was a bottle neck and the lobby was a dead end.
I thought it was traffic or maybe worse someone got hit by a car. But no, as we reached the street we saw
something I have never seen again, Judy Garland was standing on the median (there use to be one on B'way)
a thin strip of grass between north and south flowing traffic. The north bound traffic was being held back by NYPD. She was in an evening dress, shaking the hand of every patron, and saying good night.
That's the "Rainbow" my friends.

These are actual photos taken at that show, I dug them up on the WWW!

 by Pete Carma, follow Pete  www,twitter.com/petecarma
 .